The
Great FireFrom Pepys: A Biography by Richard Ollard: "The contrasts, not to say contradictions, of his character, emotions, tastes, opinions, conduct and circumstances challenge our understanding. Partly, no doubt, they can be explained by his extraordinary capacity for absorbing experience and making it nourish the consciousness that neither age nor disease could blunt or blur...His ear for the music of life always kept him in time; he could make a harmony of the trials and infirmities of old age as he had of the hot idleness of youth and the rush-hour traffic of middle age.
"The artist in Pepys lies at the root of his nature. A passion for perception and a passion for imposing order on everything he perceived run through and through his life. He was an aesthete, if not after the Walter Pater's own heart at least after his famous formula:
'Every moment some form grown perfect in hand or face; some tone on the hills or the sea is choicer than the rest; some mood of passion or insight or intellectual excitement is irresistibly real and attractive to us--for that moment only. Not the fruit of experience, but the experience itself, is the end. A counted number of pulses only is given to us of a variated, dramatic life. How may we see in them all that is to be seen in them by the finest senses? How shall we pass most swiftly from point to point, and be present always at the focus where the greatest number of vital forces unite in the purest energy?
"Pepys possessed to a high degree the power of empathy, of entering into a mind or a milieu very different from his own and, as he did so, changing the colour and the tone of his mentality with the naturalness of a chameleon. Except that unlike the chameleon he was in some way changes and enriched by his experience. Rather, like Ulysses, he was a part of all that he had met."